Mike Hendrickson 3/28/24 Mike Hendrickson 3/28/24

"Love at First Look: The Ultimate Guide for Brides-To-Be!"

Dive into the delightful world of first looks with this must-read guide for brides-to-be! Discover everything you need to know about this magical wedding day moment, from heartwarming stories to practical tips and tricks. Get ready to fall head over heels for the idea of seeing your partner before you say 'I do'!

Welcome to your go-to guide for first looks on your wedding day! Planning the perfect wedding involves countless decisions, and one of the most debated topics is whether to have a first look or stick to tradition. As a seasoned wedding photographer, I've seen it all – the tears, the laughter, and the moments that take your breath away.

In this article, we'll explore the pros and cons of having a first look, but spoiler alert: I'm a firm believer in the magic of this modern tradition. However, I'll leave it up to you to decide what's best for your special day.

Curious about how a first look can enhance your wedding day experience or interested in having me capture every heartfelt moment? Let's chat! Contact me to learn more about first looks and how we can make your wedding day dreams a reality.

Yes or no? Here’s a quick list to sway you.

Pros of Having a First Look:

More time for photos: Get the most out of your wedding day by capturing beautiful moments before the ceremony kicks off. This means you can snag those stunning, candid shots without feeling rushed, leaving you with more time to enjoy the rest of your big day.
Emotional moment: Picture this: a quiet, intimate moment shared just between you and your partner, where you get to soak in all the emotions before the whirlwind of the ceremony begins. It's a chance to calm those pre-wedding jitters and create a memory you'll treasure forever.
Opportunity for creative shots: With a first look, you have the freedom to explore different locations for photos, whether it's a charming garden or a romantic cityscape. This opens up a world of possibilities for capturing unique and unforgettable images that reflect your personality as a couple.
Calmer nerves: Seeing your partner before the ceremony can be a soothing balm for those wedding day nerves. It's like having your built-in support system right there beside you, ready to share in the excitement and ease any pre-wedding jitters.
Flexible timeline: By doing a first look, you're giving yourself more flexibility in your wedding day schedule. This means you can breeze through formal photos earlier on, leaving plenty of time to mingle with guests, sip champagne, or sneak in a quick dance before the main event.
Private moment: Imagine stealing away for a moment with your partner, away from the hustle and bustle of the wedding day chaos. It's a chance to share a quiet, intimate moment together, away from prying eyes, and savor the anticipation of what's to come.
More relaxed ceremony: By seeing each other before the ceremony, you're taking some of the pressure off that big walk down the aisle. Instead of nerves, you can focus on the joy and excitement of the moment, making for a more relaxed and enjoyable experience for both of you.
Maximize natural light: Taking photos earlier in the day during the first look means you can take advantage of that soft, flattering natural light. Say goodbye to harsh shadows and hello to photos that glow with warmth and radiance.
Extended celebration: Completing formal photos before the ceremony means you can get a head start on the celebration. Whether it's joining cocktail hour or stealing away for a quiet moment together, you'll have more time to soak in the love and laughter of your wedding day.
Greater variety of locations: With a first look, you're not limited to just one location for photos. Whether it's a scenic overlook or a cozy corner of your venue, you have the freedom to explore different settings and capture a wide range of stunning images.

Cons of Having a First Look:

Tradition: For some couples, the idea of not seeing each other until that magical moment as you walk down the aisle is a tradition they don't want to mess with. It's a time-honored tradition that adds an extra layer of excitement and anticipation to the ceremony.
Less anticipation: Seeing each other before the ceremony might take away some of the excitement of that first look as you walk down the aisle. Instead of that heart-stopping moment of anticipation, you might find yourselves feeling more relaxed and laid-back, which isn't necessarily a bad thing, but it's something to consider.
Logistics: Coordinating a first look adds an extra event to an already jam-packed day, which can be a logistical headache. From coordinating with vendors to making sure everyone is in the right place at the right time, it adds an extra layer of complexity to your wedding day timeline.
Family and guest dynamics: Some family members or guests might have their hearts set on witnessing that traditional first look during the ceremony. Deviating from this expectation could lead to disappointment or confusion among your loved ones.
Risk of rain or bad weather: If your first look is planned for an outdoor location, you're at the mercy of Mother Nature. Rain or bad weather could put a damper on your plans, forcing you to scramble for a Plan B and potentially impacting your overall experience and photo opportunities.
Breaking tradition: For couples who hold tradition dear to their hearts, the idea of seeing each other before the ceremony might feel like breaking the rules. It's a sentiment that's deeply ingrained in wedding culture, and deviating from it could feel like going against the grain.
Logistical challenges: Coordinating a first look requires careful planning and coordination with vendors, which can add stress to an already busy day. From scheduling hair and makeup appointments to making sure everyone is in the right place at the right time, it's a logistical puzzle that requires careful attention to detail.
Potential for heightened expectations: Building up the first look as a magical moment could set the bar impossibly high, leading to disappointment if it doesn't meet expectations. From the perfect backdrop to the ideal lighting, there's a lot of pressure to get it just right, which can be stressful for everyone involved.
Less time for last-minute preparations: Spending time on a first look means less time for those final touches and last-minute preparations before the ceremony. Whether it's fixing a crooked bow tie or touching up your makeup, every minute counts on your wedding day.
Limited time for hair and makeup touch-ups: Getting emotional during the first look might require extra time for touch-ups, potentially impacting the overall schedule for the day. From dabbing away tears to reapplying lipstick, it's important to budget extra time for those unexpected moments of emotion.

First look with your dad. (I’m pulling on those heart strings here to make my case)

A first look with dad is a deeply emotional moment that holds special significance for many couples. For daughters especially, the bond with their father is often one of the strongest and most cherished relationships in their lives. As the first man they ever loved, seeing their daughter on her wedding day is a poignant and bittersweet experience for many fathers.

During a first look with dad, there's a palpable mix of emotions in the air – pride, joy, and perhaps a hint of sadness as they realize their little girl is all grown up. It's a moment for fathers to express their love and support, to offer words of wisdom and encouragement, and to share in the anticipation and excitement of the day.

For daughters, a first look with dad is a chance to honor and celebrate the man who has always been there for them, through every triumph and challenge. It's a moment to express gratitude for his love, guidance, and unwavering support, and to create a lasting memory that they'll cherish for a lifetime.

Whether it's a tearful hug, a tender exchange of words, or simply a shared smile and a knowing look, the bond between a father and daughter during a first look is a beautiful reminder of the love that will always be there, no matter where life takes them.

Here’s how to make it happen!

Classic First Look: One person stands with their back turned, while the other approaches quietly. As the anticipation builds, a tap on the shoulder signals the reveal, and they share a moment of awe and joy as they see each other for the first time on their wedding day.

Parental First Look: Before the ceremony begins, one partner chooses to have a private moment with their parents. This heartfelt reveal allows them to express their gratitude and share in the excitement of the day before walking down the aisle.

Sibling First Look: For couples who share a special bond with their siblings, a first look with brothers or sisters can be a touching addition to the day. Whether it's a hug, a high-five, or a few words of encouragement, this moment strengthens the bond between siblings and creates lasting memories.

Grandparent First Look: In some families, grandparents play a significant role in the couple's lives and love story. A first look with grandparents allows the couple to honor this relationship and share in the joy of the day with those who hold a special place in their hearts.

Best Friend First Look: For couples who consider their best friends as family, a first look with their closest pals can be a fun and meaningful moment. Sharing laughs, hugs, and maybe even a few happy tears, this reveal celebrates the bond of friendship and the journey leading up to the wedding day.

Pet First Look: For couples who consider their fur babies as part of the family, including them in the first look can add an adorable and playful element to the day. Whether it's a wagging tail, a happy bark, or a loving lick, pets bring joy and excitement to the moment, creating unforgettable memories for everyone involved.

Surprise First Look: Adding an element of surprise, one partner may blindfold the other before the reveal. This unexpected twist heightens the anticipation and excitement, leading to a priceless reaction when the blindfold is removed and they see each other for the first time.

First look timeline

So a year or so ago I made up a template to show a bride who was curious about first look. I wrote it out very quickly and never intended to use it with another bride. I had it laying on my desk and had another bride ask about first look and before you know it I was showing this off regularly.

I am terrible at making infographic information. But here it is, this should sell you on first look. This will add more time to your wedding day and help spread out the busy parts of the day and to more MANAGEABLE chunks.

I finally sat down and messed around on Canva to produce a little more more detailed example of a first look on a wedding day for everyone. Feel free to use this for your own wedding or to shop to your brides & grooms (if you’re in the business of weddings).

If you’re opting for a first look on your wedding day, it isn't just about breaking tradition; it's about embracing a modern approach to love and celebration. As a photographer, I've witnessed firsthand how this choice not only eases the flow of the day but also enhances the overall experience for everyone involved. Whether you're part of a beautiful couple, the first look offers an intimate moment to connect, share joy, and create cherished memories together.

By choosing to see each other before the ceremony, you're not just setting the stage for stunning photos; you're setting the tone for a day filled with love, laughter, and unforgettable moments. So why wait? Let's capture the magic of your first look and embark on this journey together. shoot me a message, and let's make your wedding day dreams a reality!

Mike Hendrickson 8/22/17 Mike Hendrickson 8/22/17

Drove 17 hours for 2.38 minutes

So when an eclipse happens you don't simply stay home, you go and meet it where it's at it's best. I drove way too long to see something way too short and it was very worth it. Did I mention the waffle house?

It was worth it.

Worcester, Massachusetts to Madisonville, Tennessee takes roughly seventeen hours of travel time give or take. Was it worth the hype or at least the many stops to Waffle House that I had envisioned?

A few years ago a friend said that we should go see the eclipse and that it was crossing the United States. I said sure, why not; it was so far in the future where any decision should always be a unwavering yes. Time went by, I forgot about the eclipse and then I started seeing all the news stories about the eclipse, hmmm.. maybe this is something I should check out.

My friend Pat called me up and asked if I still wanted to go down south. I checked my calendar to which I am married to one way or another and for whatever reason the stars had aligned to allow this venture. I called another friend Chris and invited him, perhaps against protocol but this is an eclipse and protocol is more so a grey area.

We took two cars loaded to to the brim with gear, well mostly loaded; we had to make room for gas station treats like gatorades and many other processed affections. Driving down eighty one south was fast, slow, hectic and mundane. Most cars went with the flow while others would cross perilously through cracks in the traffic pattern to what they assume is saving them around an hour of time. The best part of these fast and furious drivers was finding them only five cars away as we hopped off a highway.

Quick mention of our juvenile behavior. While we were traveling south we noticed many race car enthusiast around. We up north don't particularly focus on those types of sports and most often drive the flow of traffic as close to the speed limit as possible... give or take. We ran into a very entertaining way to pass the time during these long stretches of driveway. I'll mention a particular encounter which gave us great joy. A blue Toyota Prius had rocket fuel in it's tank and was pushing through traffic very aggressively, Chris and myself happened to be talking on the phone, albeit coordinating as most might do while caravanning. We simply created large gaps that looked enticing for those who might want to overtake our cars as well as the ability to stay together by slowing down or speeding up on marks to push our car back into a spot we needed to be. But for some reason every time our friend the blue Prius throttled up to those gaps we had created they would mysteriously disappear, when I say gap I really mean two or three car lengths or less. It was as simple as myself letting off the gas and Chris pulling up to meet me. We continued this for many many many many exits. When we finally freed the Prius from our speed limit fearing ways I allowed the driver to see me aloof drinking a little bit of my leftover Starbucks as I pretended not to look. I've also found that letting my arm hang out the side of my vehicle with my hand surfing the air alongside makes many who tailgate very happy.

Honorable mention to the Riverview Inn hotel where we stayed the night before the eclipse. It was a first floor room which was nice. The cigarette burns in the comforter was a nice tough as well as hair on the shower walls. Pulled back the bedsheets to find the same long hair that was adorned on the shower walls in the bed. When we headed out for dinner we found that the backdoor did not lock, there was a latch at the top which would allow the door to be opened several inches. We barricaded the door for a little piece of mind, the desk chair and an ironing board kept the room slightly more secure. Some of the ceiling tiles had been painted in the room along with the trim but only half finished and the room smelled like smoke. Postive note, the AC worked and the blowup mattress that we brought along worked wonderfully.

Arriving early in the AM hours to Kefauver park we found parking easily after being directed to the back of a field which didn't seem quite reflective of the moment we were about to experience. We made our way to a smaller parking lot adjacent to the main street and a few dozen steps away from the bathrooms. The park had a lake which primarily housed algae and it has been suggested.. fish. Some of the parks and rec had managed to get vendors in for this event to sell t-shirts, viewing glasses, drinks and bbq.

I put up the drone a few times to get the full view of the park as we waited around six hours for the eclipse to begin. We got to know our neighbors a bit better as we sat underneath a pop-up canopy we had purchased the day before. Early afternoon the eclipse finally began, everyone remarking, cheering and discerning stares upwards didn't push us any quicker to shoot a sliver taken out of the sun.

The eclipse happened slowly, very slowly, three hours slowly. It was hot out too, didn't mention that yet; low nineties. We had set up all of our gear now, drone was out, tripod and cameras positioned. The sun was positioned high in the sky, we laid on our backs and arched our necks while tilting our gaze through the viewfinder to focus each time on each subtle movement.

The week leading up to this event was laden with how-to youtube videos, articles and other periodicals on how to view the eclipse which I will sum up here. Don't look at the sun, just look at it through the glasses, don't bother taking photos, use a solar filter if you do take pictures, don't look at the sun, ND filters won't work and what equipment will and won't work. Here's what we did with that info... pretty much nothing. We knew about solar filters, we brought some big lenses, big tripods and plenty of snack food. When you're photographing a T-Rex or a trans-dimensional being doing a backflip then it doesn't matter much which camera or lens your using. The same goes for the eclipse, you have a big enough lens and something to put in-between there to darken it then chances are you're going to get a pretty damn good photo.

So I had never really taken photos of the sun before, never attempted or enough had the thought cross my mind. The most interesting thing I found was being able to see the sunspots across the sun. You knew you had the right exposure when you had a yellow center and orange rind protecting that. We took photos of this smaller and smaller crescent as we neared the main attraction, full totality.

The eclipse started to near totality, the shadows grew sharper, the light stranger; almost desaturating and dulling everything. These details couldn't really be captured with a simple Iphone because of the ISO compensation that is employed through Iphone magic. The light dimmed further and my car's headlights and taillights turned on, we got our signal to focus more. I started shooting by just pressing the buttons as quick as possible, sliding my thumb across the back wheel of my camera adjusting the aperture and snapping photos as I did so. Alternating with shutter speed the same way as I fired off photos. We only had two minutes and thirty eight seconds in our location to get these once in a lifetime photos. The best photos would be taken at the beginning and end of totality showing the beads and the diamond ring of the eclipse. The totality ended and each minute or two we had to slightly adjust our settings to recalibrate the exposure. Once I was back to getting the golden orange of the sun once again I relaxed on my duty of photos.

We slowly packed up, picked up, parted ways and shipped out. The rest of the story is packed highways, slow meanders down backroads and a much better hotel room. Thanks for reading my story.

Mike Hendrickson 5/4/17 Mike Hendrickson 5/4/17

Wedding workflow

So this post is geared towards photographers out there, specifically wedding photographers. This is my workflow. It's simple and it works. I basically import, sort and process. This is a little bit technical and you'll appreciate it this only if you know Lightroom or are planning on getting Lightroom.

So this post is purely for photographers, maybe geared more towards wedding photographers perhaps. This is not going to be a blog where I incorporate lots of visual aids, i'm not a Buzzfeed article. If you know Lightroom or have just started using it then you will be able to follow along. If you're a bride or groom and don't know what Lightroom is then this probably isn't for you.

So what I concentrate on is keeping things simple. It can be very easy to misplace a photo if you don't know what you're doing in Lightroom. You can add a filter that doesn't show certain types of flagged photos or you might not have photos from 2016 or 2015 included and miss a photo that you needed asap. Okay, so i'll go through everything from the beginning.

So first off, any of my edits have usually been thirty seconds or less on a photo. I'm working with four thousand photos when shooting a wedding and between sorting, processing and delivering I have gotten pretty efficient. I'm mentioning this because I want you to understand that I don't treat my catalog like a golden goose. If my catalog becomes corrupt or has an issue and I have to restart from scratch, it won't be the end of the world. I may lose all of my edits but i'll always have my photos which is the most important part.

I sort my photos by YEAR, MONTH, DATE. If I need to get photos of a race from two years ago all I have to do is search my calendar on my computer or phone for RACE. Once I have the date I just look through my catalog for these photos.

I do have two catalogs, one on each computer. My main computer is used for managing storage between two eight terabyte external hard drives. This catalog has everything from 2007 to 2017. I'm currently teetering around five and a half terabytes but it goes up and down each year depending on how harshly I treat my past work which i'll explain more about in the next paragraph. The second catalog I have is on my MacBook Retina, this is my workhorse. It's fully loaded and meant for travel and speed. I'm able to take all my wedding photos and work through them non stop without being confined to my office or apartment. My favorite place to work is actually Starbucks. So this catalog of photos and edits on my MacBook is stored on a Lacie Thunderbolt hard drive. I'll talk more about what I do with these photos later in this blog.

Another benefit of having everything in one catalog is access. You can keep doing triage on your photos, sorting through them and pulling out the bad photos. When years go by and you get better at photography you will be better equipped to judge your past work more critically. Every year I spend a few weeks to go back through my old photos and trim out the chum. God forbid I expire before i'm suppose to and someone is charged with sorting through my photos and see all my bad photos (I mean bad composition, blurry and other issues). I've heard other photographers talk about how inexpensive storage is, it's not trust me. I upgrade my hard drives every year due to concerns of proper backups. Hard drives fail so you should regularly upgrade. I use my hard drives pretty heavily as well. If I have a bride or past client that wants photos from their shoot I don't want to give them any bad photos. If you even show a client a bad photo there is a chance they may think it's great. Here's what happens when you show that bad photo, they say it looks great and you know it doesn't. They start showing that bad photo and telling everyone who took that photo. So I really only want my good photos out there. If it's something important then yes, save the photos, no biggie. But for me I don't want to have sixteen terabytes of good photos mixed with bad photos.

Sorting, yes, no. It's that simple. Yes to a photo, it's good and you like it and want to share it and you want people to know it's on of your photos and i've used too many ands in this sentence. No means that you don't like the photo, it didn't come out good, bad composition, un-saveable, blurry, unflattering. When you get rid of a photo you're also saving the environment. You're also saving your wallet from having to get a bigger hard drive prematurely. So for those of you not in the know... P is for Pick or YES, X is not Reject or NO. While in the library module you have to make sure Auto Advance is clicked on under the Photo menu at the top. Okay, so now that we have all the photos and we're selecting P or X and working through the photos we realize it may not be going as fasts you would like it. This can be for two different reasons. You have to make sure all standard previews were built for the photos. Otherwise you will have to wait a second for the photo to render each time you click through the photos. Control A and then Library menu, Previews, Build Standard Size previews. Now wait and once it's finished restart your sorting process. Another reason the photos may be going slower as you pick through them is you're in the DEVELOP module. You will be able to sort while in this module but it will be a little bit slower.

The best part about sorting with P and X is you can do it with one hand. The more you do it the faster you'll get with it. I promise once you've done it with a half dozen shoots you'll be a master. Now here's what you do once you've selected all the bad and good photos, once you've flagged everything as a YES or NO. Now you can DELETE REJECTED PHOTOS. Now keep in mind once you've deleted these files they are moved to your trash bucket on your computer or Mac. Please please please make sure you don't have deleters remorse over your photos. This is just how I work and if it works for you then it works for you. Lightroom really allows everyone to process and do their own workflow the way they want. This is just how I work. Okay moving on.

Once you have deleted the rejected photos by clicking the Photo menu at the top of the screen and scrolling down to it you can repeat this whole process again. So what you'll want to do is go through all of the photos and repeat this process of saying yes or no to all of the photos. I will typically do this several times if not more just because I want to make sure that my client or bride & groom get the best photos they can. You'll start to notice that you now have just really nice photos in your catalog. It will be a pleasure to show, friends and family your photos without having to delicately explain why some of the are bad.

Now that you are down to just your good photos you are ready to start editing. I don't use presets btw for anything. I process my photos a little bit differently and don't want everything to look exactly the same as every photographer on Instagram or Pinterest with a yellow decontrasted light flared photo. So here's what I do next. I take one photo and I apply a few general edits on it. First I add anywhere between +5 to +15 on contrast (This helps give enforce a more sharpened look) and then +5 to saturation (You should be shooting RAW and your phot may be a little flat because of it) and then +1 or +2 on clarity just to add a little bit of edge to everything. I'll also make sure Profile correction is on and sometimes i'll add increase sharpness and add a little bit of noise reduction. Once i've done this singular edit to this photo i'll want to apply it to all of the photos. I move back to the main Library loupe view by hitting the G key. Select All (Control A or Command A) and i'll mouse over to the side triangle to reveal the window to the left where it says Sync Settings. I select Sync Settings and I make sure everything is applied. Keep in mind if you decided to adjust exposure on this first photo it will apply to all of the photos. So once all these basic edits are applied to everything I can start going through with more edits. if you've noticed I don't do much with my editing. I really try to get everything correct when I actually shoot the original photo. I don't try and follow up my work with corrections. It makes my life a lot easier when I take a good photo and work from that to make minor adjustments. I'm not huge on filters, fake looking scenes and such. I would much rather get the correct tonal range and add some lights in the scene to break a subject from the background or add a dynamic little flare by using my flash a certain way. It's way too easy to add all these afterwards. I wrote about that a little more here.

While in the DEVELOP module you can navigate your mouse over to exposure and it should change the color slightly from Grey to white notifying you that your cursor is selecting this certain option. While the mouse sits over exposure you can now use the arrow keys to adjust exposure and also move between photos. This means you can go through all of your photos with out having to move around your mouse non-stop. I like to apply all of my exposure edits to all the photos like this. I'll eventually go back and do cropping on all of my photos to make it more pleasing to the eye. Some photos may require additional adjustments like Shadows or adjusting highlights.

Once I have done all my edits and i'm happy with my work i'll export the photos to a custom named folder. Once the photos have made their way to where they're suppose to be. This is usually my website IShotYourWedding.com which is made through Pixieset.com. Any photos that I really like will end up on my Facebook or Instagram. I'll also take a few photos that i'm happy with and put them in a separate folder called "Images", I know i'm super creative. This is just a folder that links to my Wallpaper and Screensaver that allows me to keep seeing my good photos. When i'm done getting the photos to where they need to be I delete the JPG files. I have no use for them. I have a finished copy on my website if I need to show them and the really good ones I have in a folder and on social media. I find it's much easier to get rid of them and it also keeps my desktop very clean and provides a really nice focus for me to get work done now.

After most shoots, always weddings I take my photos and back them up to my Lacie thunderbolt hard drive. I sort through them as quickly as possible and then those get backed up to two eight terabyte hard drives. When I am no longer using the photos on my MacBook or travel drive as much I delete them because I have them backed up in two separate locations. This allows me to keep my computer relatively clean. If my computer ever gets stolen I don't lose out on photos and because I have a MacBook and good practices it's very quick to get back on my feet as far as editing goes.

I hope this is helpful to the photographers out there with a massive workload. This is a little bit of the magic behind my smoke and mirrors. This is not a shortcut to work, this still takes a great deal of time to do correctly. I'm not breezing through any photos. In fact most weddings I take four to five weeks because I'll work on the photos every few days that way I'm looking at them with fresh eyes and processing everything in my head on which is a good photo and which is a bad photo. I always want to make sure my best foot is forward. If you don't have Lightroom yet i would highly suggest you go and sign up for Adobe's photographer plan which gives you Lightroom & Photoshop for only $9.99 a month. Feel free to leave me any comments or criticism on this post.

Mike Hendrickson 4/22/17 Mike Hendrickson 4/22/17

I accidentally went on vacation.

I went to Hawaii for work and I accidentally went on vacation. It's a slippery slope to relaxing when you're out here. Wanted to write a little bit about my journey even though I still have a tad bit of jet lag. Feel free to leave comments.

Black Sand beach via my magical flying powers

Okay, this isn't my best writing. I just got home yesterday but wanted to take this time to get back to work and that's meetings and writing and working on my website as well as blogs. This is all fresh in my mind and I wanted to get it out. I'm a little bit jet lagged and tired and malnourished (my version of malnourished is not enough salt, chocolate and fatty foods). Anyways here's a little bit about my latest exploits.

So I recently went to Hawaii for work. It wasn't a wedding, it wasn't a model and macadamia farms didn't hire me. I was actually working for the government, the Army in fact. I was there with Shawn Pacheco shooting a military ball with nearly a thousand people in attendance. So all I knew going into this was I was going to be shooting couples, the formal photos portion as Shawn made his rounds taking video of the event and ceremonies. The event was huge, I hoped I had brought enough equipment when I arrived there. I brought some Yongnuo flash guns and some compact Manfrotto nano stands in addition to some umbrella mounts and some Neweer modifiers for the lights. I had no idea if my luggage would get lost so in preparation for a few thousand lost in gear I opted for the cheaper gear. I purchased a nice grey and white backdrop from B&H which arrived just in time. To get everything out there cost a bit as well. I actually did a little research after talking for a friend and was able to create a media pass for my gear which dropped the price of the luggage to fifty dollars instead of a hundred dollars. Anyways the logistics of planning and implementing all this equipment to land alongside me in Hawaii was a little daunting.

So i'll jump ahead a few days into my trip when I'm actually doing work which is the real reason I was out there in Honolulu. We arrived at the Warrior's brigade ball at the Honolulu Convention Center and had the pick of where we would set up. Luckily the sun wasn't out and there was plenty of overcast which allowed me to get an amazing spot. I set up my backdrop stand and lights while couples approached me with the inquiry to be first for photos. I didn't have time to even do test shots on my friend Shawn to get everything tuned in. I immediately started doing photos as soon as everything was up, a line forming to my left. Each time I looked back I would see more and more couples until I realized I couldn't see the end of the line. I was sweating and not because of the pressure of performing at these high stakes, it happened to be eighty or so out which was giving me that sweat. Each couple got their own treatment and time with me. As long as the line was I was able to say hello to the couples and pose them a little bit, a little different each time. I shot for around two hours straight before the ceremonies began which offered me some down time. Each time I would turn someone away because the ceremonies would start I would reconsider, mostly because each person that came through looked like they outranked the last. I was later explained most of the ranks by Captain David Fowler.

Towards the end of the event I was beat and we packed up and headed out. Driving back to our host's home at Ewa (Pronounced Eva if I remember correctly) I already was receiving e-mails asking about the photos. The best part of doing these photos was giving some of the couples the chance to sneak in an engagement session or maternity photos or just to show off how good they looked that night. I did have to do some minimal corrections, a few of them had obviously worked hard a few days prior and had scratches on their faces. I got to meet a lot of nice men and women at this ball. Here's a few sample photos from the event, i've also provided a link below to check out all of the photos.

Here's my photos from the Warrior's Brigade Ball

The video above is Shawn Pacheo's cinematography from the ball.

So here's where the story begins now that I prefaced it with work. Work work work, that's what i'm always doing, I don't mind it. In fact it's my natural state most of the time and it's pretty normal to me. I actually feel anxious or weird if i'm not working. Part of working for yourself means that if you're not working then you're not making money which is essential to surviving. So I was pulled apart from my documents, my computer most of the time and also put in places which I was not always taking photos so I actually was removed from most of the components that usually curtail me into productivity. So here's what I did instead of work, I relaxed. I hiked, swam, snorkeled, ate, flew my drone, ran, explored, saw lava.

It was lovely not working, our hosts David & Beth provided us with daily rituals of Mai Tais and healthy food. Shawn who brought me on this "vacation" was also into the healthy food and exercise, which I swayed him from by the end of the week. We spent a lot of time visiting waterfalls, exotic locations and checking out some pretty awesome spots for food. I highly suggest Monkey Pod, awesome food and desserts as well as a very modern atmosphere. We had our own room at their housing which happened to be a two minute walk from the beach. Our beach was actually on the backside of Pearl Harbor in Honolulu. One of the awesome benefits to our hosts and our housing was the inclusion of having a big dog named Girl. Girl was a pit bull that won me over. She loved treats, being lazy and was very attentive in exchange for some petting.

One day of our days we took a plane over to the Big Island where we visited where Captain Cook was murdered (turns out the locals who thought he was a god weren't convinced he was a god after giving the local ladies STDs). Our journey down to this location involved a two and a half mile hike down a mountain side to a small lagoon. We snorkeled there for awhile and fed many mongoose (I want to say mongeese). The waters where we swam contained lots of sea urchin within the coral and rocks which meant flippers were a necessity. The hike up the mountain was pretty tough, dry, arid weather in addition to loose gravelly trails. So David and Beth are both in the Army. Beth in the reserves and David full-time. Shawn is into MMA and has owned his own school and still trains people weekly. Myself, I like visiting places to get donuts, sandwiches or various meat dishes. The hike was tough for me but I couldn't really tap out so I had to take my time. Later that day we visited black sands beach, I can't recall the exact name of this beach. There are actually a few black sand beaches in Hawaii. These beaches have this soft black sand derived from the lava rocks being pulverized in the Hawaiian surf. The views at this beach were amazing and even more so from my drone. So currently we are at about five miles give or take for the day plus some swimming and snorkeling. We are heading south towards active lava fields. We start a five mile hike down a paved road and then a gravel road and finally onwards through a cooled lava field. Okay, the five miles actually ended before we hit the lava fields but because of a recent collapse of the cliffside and lava fields we had to trek around the active lava which was about a mile and a half. Oh yea, it's dark out too; in case I didn't mention that. We didn't know how long our walk across the lava fields would be, for all we knew it was a half hour. Each person we passed told us various distances and estimates as we conversed this sharp, treacherous path alongside a thick singular rope which stretched into the darkness. When we arrived at the final location it was raining and crowds dispersing. Our view wasn't as spectacular as previously observed by our hosts. Despite our current view we had an additional option of seeing a better view of the flow. On our trip back we stopped and set up the drone and managed to fly it within shouting distance of the red and orange stuff. We all had our iPhones out lighting our way back and I did take a nasty spill on the rocks but we made it back to the gravel road. We took this endless trip back to the car, each of us carrying out own burden of tiredness. We made it back to our hotel a few hours later and slept, only to wake up before any actual rest had occurred to fly back to Oahu. We did around eighteen miles that day and I will never ever forget it, because I'm out of shape and it's bragging rights for me ;).

So the rest of the trip we visited beaches, snorkeled, had close calls in the water between waves, water and snorkeling mishaps. My friend Shawn at one point swallowed a good deal of water a few hundred feet out and was towed in by the lifeguard. I was held down at one point around sixteen seconds in the surf of a big wave, go ahead and hold your breath for sixteen seconds now add getting rolled around while that's happening. We had an awesome time doing it all regardless of the danger. After a few days of this "vacation" I actually realized I was vacationing. I wasn't taking calls non stop and answering e-mails in a timely manner. I did however manage to book five meetings for when I returned home. Future Mike will appreciate past Mike's initiative.

We had many other days that are worth mentioning but sometimes it's nice to not share every little bit of my day. If I didn't do wedding photography or photography and didn't rely on attention then I would absolutely love being a bit more private. But honestly it's nice to share my travels with everyone too. I had an awesome vacation and it was nice to have the opportunity to shut down and enjoy the moments. I accidentally went on vacation and I liked it.

I do want to take a second to write about my experience with United airlines. I booked with them before their recent choices to overbook and literally drag a paying passenger over their plane. I was hoping that they would be over the top trying to win everyone over with service and maybe a little bit extra. It was a plain experience on this plane, cramped seats, no complimentary meal on our six hour flight from Honolulu to Denver. I only found out about paying for food as they went through the plane at that exact moment they were taking orders. There was also no display units on the back of the seats which meant all I had was my phone to watch movies after connecting to their wifi. I had enough battery to last me a movie and then I had to reserve my battery so I could call my ride when I reached my destination. I typically fly Delta because of their upgraded economy class and meals included. I won't be flying United again because of their treatment of this passenger and also it's nothing that stands out as far as service goes. I did however get a lot of suggestions of social media to try out JetBlue, so that's in the mix soon.

P.S the naked guy in the waterfall is me. Check that off my bucket list.

Mike Hendrickson 4/13/17 Mike Hendrickson 4/13/17

Marketing

So every once and awhile i'll ramble on to people about how I market. I really don't mind giving away my secrets if that's what you can call it. If i'm giving away my secrets and someone copies me then that only means I have to get better which I always welcome. Anyways here's some of my marketing plans that I usually work with.

Okay, I probably don’t know that much about this… or do I. I may be a marketing genius or maybe just incredibly lucky when it comes to getting business. I really favor the later in this but i’ll tell you some of what I do to market myself anyways. This is a blog post for photographers or other people in similar businesses.

First of all I really suggest being yourself. You’ll never have to put on an act or be someone who you’re not. I am myself when I go through my day, my week. If there’s a chance to do good I do it, sometimes people are watching. First off, everyone is going to want to throw a nice guy some work. I also don’t mind doing charity either, it makes me feel good and helps other people as well as karma brownie points. People pay attention when you’re consistently doing the right thing, the honorable thing and helping out where you can.

Another strange thing is following your passion. PEOPLE NOTICE! If you’re into candles and constantly posting about new candle making techniques or a new fragrance you made and how excited you are people may think you’re strange but they know you’re genuine. If you dig something, if you’re over the top in it for the passion then the money will come. I’ve never made my focus about the money, it’s really just a nice symptom of having a passion for photography. I’ve also turned down money as well which I suggest once and awhile, pay it back. You never know when that person who you hooked up is going to have an even better way to hook you up. Quick story, this year I had a call from a waitress who said I took her photo seven years ago. I was at place on Shrewsbury Street in Worcester (basically forty restaurants within a mile stretch), I was hanging with my friend and I was taking photos of my food and then I asked to take a photo of this waitress. I asked for her e-mail and sent her the photo. She called me up this past December and booked me for a wedding in January. Another story just for an example. I was shooting a wedding a few years back and took the time to chat with one of the guests about cameras and then handed off my very expensive camera and let them try it out for a few minutes… he booked me for a wedding last year. So by being friendly and sharing my passion I’ve landed work.

So now the more practical things you can do for marketing. Post about what you’re up to on social media and act excited about it, hey maybe you are? Maybe post on Instagram or Google+ because there are sects of people that still use these platforms. If you post on Google+ then you might get featured as a news article when people search for certain keywords which essentially draws people back to you. Instagram I use to post my best of the best photos. I don’t post any chum there, it’s all my processed work or things that I’m proud to share. Instagram isn’t for my photos of Starbuck Mochas or cell phone photos. Everyone treats Instagram a little bit different and some people even go as far as to color grade against everything they already have up there. A big thing is following a theme, at least thats what I hear. Myself I post what I’m really into, travel, weddings, food, abandoned buildings, building facades. There’s a lot of people who will have the best ways to gain followers and how to make the best Instagram, but I believe you can do it just for you.

Okay i’ve started a new paragraph so this must be a pretty good topic. USE FACEBOOK! Use Facebook for the free advertising of you and your brand. Your friends may know someone who’s looking for someone just like you. You can also maintain a business page as well as your personal page. I’m sure we’re all over posting about what we do on a minute to minute basis but why not include a little bit of business in with that pleasure, right? I also use Facebook as a tool get to know my clients. I can figure out their personality a bit and hopefully fit in better with them at the wedding after we share a few dozen memes. I also encourage my friends to share the posts that I really need them to, such as information about my business or deals I might be having.

One more thing on Facebook which i’ll give away to you. I only share all this information in the hopes that some of you will get really good and force me to up my game even more. So Facebook has that awesome algorithm that fits all you most important friends in and if a new person comes into your life you might start noticing them more on Facebook as well. Facebook judges how long you look at someone’s posts or how quick you scroll over someones post, if you’ve clicked on their page or their post. Facebook will now think that they should include more information in your newsfeed about this particular person, get it. So if I’m out there posting photos of abandoned buildings or amazing photos of cupcakes then I bet some of you may slow down or even click on my posts. This means you’re more likely to see my future posts, my future posts about my wedding photography business.

Another one of my tricks is simply posting all the photos that I really like, Europe, traveling, food, abandoned buildings, hiking, cityscapes, landscapes and then peppering in wedding photography. This works wonderfully with Instagram and Facebook. So start doing it. People notice when you have a passion. I know this because I continually get told this by brides.

You can market yourself like a bad ass but the question is if you can keep it up for years. I do this non stop. Day and night, vacation or laying in bed I think about how to get my business even bigger and better. There's a lot of times when I make a purchase and i'm thinking if it will benefit my photography. Even when I buy food i'm thinking if I could take an awesome photo of it.

I don’t always look at what everyone else is doing, I look at what they're not doing and then I see if I can fill that gap. One of the biggest things i’ve had to deal with and figure out was not listening to other people. I’ve listed to too many people who had ideas about my business who in all actuality knew nothing about my business. Other photographers have told me how they do things and what has really helped is to be different from them. I’ve gone in the wrong directions way too many times from people telling me that “it won’t work”, “you can’t do it like that”, “the way you’re suppose to do it is…” and a million other negative or non helpful comments. When you’re starting out you have the freedom to throw it all against the wall and see what sticks. I still change the way I do things regularly, be adaptive, don’t have a set policy on anything. If your customers are all asking for something or expecting something a certain way then go with the flow.

So I don’t want to give away anymore of my secrets but I hope this helps you. I help a lot of people out with other businesses because some of this marketing advice really can translate to other fields. Feel free to leave me a comment.

Mike Hendrickson 3/23/17 Mike Hendrickson 3/23/17

Business cards and why mine is the best.

So I posted the design of my new business card and everyone had great feedback on it. I wanted to write about my design choices a bit more and explain myself and not have it get lost within the thread. So here's some of my marketing choices and design choices wrapped up together. This blog has cost me two Venti Cafe Mochas from Starbucks btw.

Here's a few business cards i've put together. You can see the evolution of my design.

Brace yourself for a long winded rant about my business cards. You kinda asked for it... those were a lot of Facebook comments.

So Zazzle who I typically use for my business card had a little bit of a trimming mishap when producing my cards. They upgraded some of their behind the scenes editing software and it ended up pushing some of my text outside the cut lines. So this mishap meant they took care of me with credit and that allowed me to go back and readjust the cards. Additionally the thickness or weight of the card was so thick that during the cutting process the sheets shifted slightly. I had text very close to the edge and it showed any slight deviation. I only noticed it while dropping off a set of business cards.

I do want to preface this all with Zazzle is awesome. I've used other companies and I really have had good experiences with this company. The customer service is always top shelf. There has been times where I've made a mistake and other times where they've made a mistake. They have humans who work there and it turns out humans can make an occasional mistake, totally okay with that. I've had soo many people message with me various other companies that they use and I have to decline the help because I really do love this company and the fact that I have everything all ready and designed for print here. So with this current mishap Zazzle took care of me and just recently sent me an additional box of cards which was done unpressured and just a show of appreciation. So I ended up with double the amount of cards. I've been using Zazzle since I started my photography business and it's nice to have a steady supplier like them.

So I've put this out to my friends on Facebook, the designing of my card. I was mostly looking for feedback on my red hat that I want to include. I've spent a lot of time designing my card to stand apart from everyone else. Typically everyone does the same exact thing. Name, Phone, E-mail, logo and maybe a slogan. Think about how many business cards look exactly the same.

The design of my business card has been the same with minor adjustments over the past five years. One side is always a large image of my logo, large enough to read if it's on the ground or a table. I've chosen the chubby size cards instead of the standard for two reasons, it stands out and doesn't fit behind other cards nicely. The second reason is it's different, it's usually been a tear-proof material which is always an interesting challenge to my clients to tear it up.

So I appreciate everyones input for the cards. Some of the advice I totally understand. Use a beautiful image you've shot, use this font, why is the phone number so big. This is not a card which I've put together quickly. It's been made to stand out from the pack. A thousand cards will probably last me most of the year. Brides and grooms who typically end up with my card end up with it because they are in my office. Most people are finding me on Google, Facebook, Instagram or a random phone call. If these were being used for a wedding expo I would probably have something a bit different.

One of the biggest things with photographer is everyone happens to use a camera aperture for a logo (myself included, guilty). So I changed my logo a year or two back to something a littler bit more reflective of who and what. It now includes the words wedding which is my focus. I also have the dot come in the logo as well so now I don't have to do any additional dot come references elsewhere in the card. The main goal of my card is for it to stand apart from everyones no matter what business's card it's next to. My business name was believe it or not an AIM handle back in 1996 which was unity1818. Unity is an Operation Ivy song, not a Queen Latifah jam. It ended up as a placeholder for my website because I eventually needed one. Unity happens to work as a name for a business name but unity photography is actually taken by another photographer named Ken who I've actually met in real life. Anyways the reason I mention this is logos are hard and also very much essential to pull together a website, business card and any branding you may want to do. I didn't get to do anything cute like Two cranes photography or jumping cat photo. I based mine off a teenage Aol Instant Messenger name.

The giant phone number is something that takes people a second to grasp sometimes. I've had lots of people pick it up and say what is this and then it clicks. Then I have a few different sentences fit above, in-between and below the giant phone number. So whoever has already picked up my card because they don't understand the giant numbers at first and now they're reading all these sentences i've put on my card which is done is a very small font. So they've spent anywhere from fifteen seconds to twenty seconds reading this side of my business card. I just times myself doing it from picking it up and skimming through everything.

TEXT LISTED CURRENTLY ON MY BUSINESS CARD

Follow me on Twitter, Instagram, Pinterest, Google+ and Facebook. Visit my website to find all my social media links.

Wow, this is a very impressive business card. Thank you, I agree. If you find this impressive then wait until you see my photos.

The number on this card is my phone number. Please visit my website to send me a more formal message.

Don't lose this card. Int has your future wedding photographer's contact info on it.

There is a rhyme to my reason.... is that even a saying?

So think about how long it takes for you to usually comprehend information on anyones business card. You look at a logo, an address maybe, hours possibly, phone and e-mail. I've already gotten almost twenty seconds of someones time. I've told them where they can find my social media links. I've directed them to my website to send me a message. I personally don't like a random e-mail from someone with a simple sentence "HOW MUCH" "WHAT ARE YOUR PACKAGES". So I love to direct people to my website where I have a proper contact form and more importantly all the information. I've also included a little bit of my humor by saying how impressive the business card is. If you didn't get what the numbers were or skipped over the numbers in favor for a full sentence then it's explained here with the above text. I've also told them how important the card is and not to lose it, it has your future wedding photographers info on it. Okay, that last sentence is a little cocky but it's cool, I know I rock.

So if you found this card and and saw all this information you would be able to get a quick snippet of who I am, personality wise possibly. As a wedding photographer i'm the person you'll have the most contact with during a wedding day. I'm literally with a bride all day long give or take some distance. The big thing I try to convey when I meet a bride and groom is the attitude of easy going. I'm very easy going, in fact most of my meetings i'm wearing that red hat and a hoodie. More meetings happen in the winter time. I'm also friending all of my brides and grooms on Facebook at some point. Since i'm spending the entire day with someone it totally benefits me to keep them in a good, relaxed and happy mood. Some of that comes from the informality of most of my approaches. I have brides contact me at eleven at night with a simple question or on Facebook on a Sunday afternoon. I'm very accessible and I make sure the bridal couple knows this. My goal is to have it feel like a friend is shooting your wedding.

With my current design i've chosen to remove some of the text to focus more on branding myself with my favorite object, a red hat. Affectionally worn for the past six years solid or so. I'm regularly recognized everywhere for this hat. Currently it's a red winter hat from American Eagle but i've also had many other variations of this red hat. I can't really wear baseball caps when I shoot outdoors and fedoras or these winter caps have always hung around me. I've actually gotten to meet a lot of my Facebook friends in public because they spot me somewhere in Worcester, Boston, NYC. It's a very bold color and my attire doesn't really have to match the hat. What i'm doing by including the red hat with my business cards are training anyone who ends up with this card to eventually be able to spot that exact red hat. Think about it. You have this random card with a red hat, phone, name, wedding photographer and you see a random photographer with the same exact hat. Chances are you are going to come up and say hi and tell me about how you ended up with the card.

I'm going to meander a bit, follow along.

So beyond wedding photography I actually do a number of things. One of those things being web design. When I meet someone who asks for photos or video the first thing I ask is what it's being used for. They tell me they want to put it on their website or Facebook. The next question I ask is to see their website and from there I see their website is angelfire or geocities hosted (antiquated reference, totally worth googling). So from there I talk to them about web design in addition to photos. So I can put togethers someone website pretty easily with a few photos and rearranging information. Here's the other thing I do, consulting work.

What is consulting work as it applies to you? Okay, thats a question being asked to me if that didn't make sense there. What I do is interview a business owner and pull out content to add to their website. Often times while explaining things it leads to other questions which inadvenrtuly conclude with a change in their own business's infrastructure. One of the best questions you can ask someone is "What would this look like if it were easy". It's a question you can ask any business owner. It helps them identify a problem area and provide the easiest solution and then we can work on the actual route to getting there. I also will call out an weak areas in their dealings and suggestions I may have to changing routine.

So I deal with many different businesses and these owners all happen to be around Worcester and Boston and every once and awhile I get recognized in a Starbucks or while on the job shooting somewhere. I'm training everyone as well as brides, grooms to recognize and associate the red hat with Michael Hendrickson, wedding photographer.

I have time.

So hopefully everyone will understand my reasoning a little bit better now. It's not simply a harsh design choice. I've slowly evolved it from the very simple to the more complex. My goal with my cards are to stand apart from everyone and I fear being similar to everyone else will make me blend a little too much. I've spent a few minutes to design some of what everyone's asked for in a business card just to appease some.

I've made a few quick mock-ups of what some think would make a good business card. I've also reverted the size back to a standard business card size. This is not a dig on anyone. This is suggestions i've gotten on the initial thread on Facebook as well as in private messages.

Okay. So here's my final design. I did put some thought into this. If you've read this entire blog then hopefully you've fell on my side of the wall.

Mike Hendrickson 1/15/17 Mike Hendrickson 1/15/17

Filters are for the lazy.

Going to be pretty straightforward in saying that filters can ruin weddings. Look in your phone at the photos from a year for two ago at the filters you were using on your photos, some are pretty cringe-worthy. Some photographers use filters as a crutch or use it because they're lazy. Photographers who de-contrast and play with highlights / adding a yellow filter over a photo are a dime a dozen. The goal should be correct color reproduction and using your skill as a photographer to produce compelling images through composition, knowledge and also being in the right place at the right time.

Believe it or not, no filter. This was shot with a Canon 90mm TSE (Tilt shift) lens

Government Center MBTA Canon 8-15 Fisheye

I just got this question recently when meeting with a bride and groom.

Why don’t I have black and whites, sepia tones, filters on my photos? This is very simple to answer, look back in your phone a year or two. Do see all the random filters that you were using on your Instagram photos / Facebook posts; they’re awful.

Tastes change, styles adapt and people move on from trends. These are some of the most important photos that you’ll have of yourself, why would I put a trendy filter on and especially one that is so overused by Pinterest focused wedding photographers. De-contrast, playing with the highlights and adjusting the color temperature to be a bit more yellow doesn’t make a classic photo in my mind. I’ve also seen a lot of photographers use this as a crutch when a photo is mediocre or missing something.

Sometimes converting a photo to black and white looks great provided you do it the correct way and know what you’re doing with levels, curves and also saturation of colors and a number of other things. But here’s what we photographers know, this doesn’t make any photo a classic or immortalized image. Being honest, the only time i’ve actually made a photo black and white in recent history is when I absolutely couldn’t do what I wanted with the photo due to a number of reasons. I reluctantly changed it and adapted it because it was a moment that I did not want to throw away. I will never myself change a color photo to black and white though just to wow someone. One more example, white or black vignetting on photos… cringe.

Now here’s the part where i’m a dick and say mean things about other photographers. I really do try to be positive, like way too much.. usually. I know a great number of photographers that are shooting the exact material they were two or three years ago. Most photographers that I know get better every few months, years or just plainly have breakthroughs of creativity that make me very jealous. But I see some wedding photographers that never try new things, never purchase new equipment or develop their post game (editing). Wedding photography is simply put a gym for photographers, you’re regularly pushed to adapt, learn and get better, faster, stronger at your photography. I can look back every year and see my deficits or where i’ve made improvements. So here’s where I tie that back into what i’m saying, filters are a huge crutch for someone trying to hide the fact that they aren’t developing themselves. For the sake of the bride and groom you should be taking the payment and rolling a good portion back into your own development and/or equipment. This is your one chance to capture someone’s wedding and why would you put an ugly filter on such a beautiful day.

What I try to accomplish with my wedding photography is creating accurate representations of what the scene actually looked like. I use different lenses and compositions to showcase different moments. I’m trying to achieve as close to as possible correct color profiles, your flowers are rarely neon or muted colors; it’s somewhere in-between I hope. It would be too easy to add filters to my photos and claim that I’m an artist and that this is my art. What I do is document and record moments as beautifully as I can. I don’t have a particular unique skill that no other photographer could ever attain. What I bring to the table is knowledge, personality, skill and a pretty good amount of equipment to back it up. I do use some creative editing techniques that highlight certain aspects of a scene or cast a cold blue morning as a more warn and sunny one. The best editing in my opinion is the kind you can’t detect.

If you want to add a filter on your photos you’re always welcome to do so but as I started out saying, look at your images with filters and effects from a year or two ago.. cringe. :) Imagine your parents wedding photos and imagine what it would look like with correct color or your grandparents images if it wasn’t shot in black and white (yes, I know that may have been all that was available at the time).

I shoot weddings and would love to shoot your wedding.

Click here to see my website and learn more.

Moore State Park,  Canon 200mm 1.8 — Moore State Park, Canon 200mm 1.8

Mike Hendrickson 12/29/16 Mike Hendrickson 12/29/16

We're not going to get everything.

You're going to have your dream wedding, you've even selected what your wedding photos will look like via Pinterest, various wedding blogs and Google image searches. So you can have all of this but you may have to spend some time doing during your wedding. If you're getting married you'll want to read this. I'm writing this through my own personal experience. My number one goal is to make a bride and groom happy and also being very truthful with what I can offer.

A photographer can work off a list or just capture a little bit of everything. When you work off a list you are trying to remember what is not important to the bride. In fact the bride may not even know what is the most important parts of the day, this is her first go at a wedding. That’s why I think it’s best to just cover every aspect.

So before the wedding you have loaded up your head with amazing images from Google and Pinterest and featured Buzzfeed articles. You’ve forwarded these links to your photographer and informed them that these photos are to be captured. This is all very doable, but when it comes to your wedding day and you incorporate this into the mix it’s sometimes impossible. So I say impossible, it’s not really impossible; it’s undoable for you as the bride and groom. The photographer can most certainly do this, but he won’t be able to do all of these requests in the twenty to thirty minutes he may have with you following bridal party photos. I can only speak from my own experience in this of course. I would love to recreate photos and make the bride and groom happy but often during a wedding day you're busy with friends and family. Another thing to take into account is that some photos you see on the internet are purely circumstantial or in fact not even from a wedding. Some photographers will have models pose as a bride and groom just to create breathtaking photos. For the bride and groom I really suggest trusting their photographer and let photos take a backseat to being in the moment.

So to follow up and summarize. The photographer is going to do his/her best to capture everything. We want to immortalize your wedding day in photos. We want to provide a seamless, enjoyable experience and not get in the way. If you’ve hired a photographer because you like their work then the best thing to do is trust that they’ll capture your wedding day so you can sit back and enjoy it.

Here's the reality of it.

When you hire a wedding photographer you sometimes have these amazing expectations. You’ve seen their photos, their work, their great attitude. You’re hiring them to capture the one of the most amazing and memorable days of your life. Here’s what he/she is going to be able to capture, not everything.

Another reason to capture everything is you don’t know what’s important to the bride and groom. Sometimes they might not know what was important until after the wedding. Let me give a few examples of this. Let’s say you take the time to get photos of all the cousins, maybe they move away in three years and aren’t reunited until a family reunion in ten years. How about an Aunt and Uncle who come to your wedding that move away the following year. The most common thing i’ve come across is my focus on grandparents. Not to sound morbid of course but we do expire and these photos are a huge trigger for your memories. One more thought, how many times does your family get together. I’m talking about everyone, not just for the holidays which sometimes can be tough with visiting everyone. You have everyone in a room so why not take advantage of this.

Here’s the upside that you can really work with. If you have a great photographer who is willing to be adventurous, persistent and do a little bit of poking and prodding; he/she can liberate you from your wedding reception for a few minutes to take some amazing photos and give you a moment to breath away from everyone. During the formal photos for the bride and groom you’ll also be able to get some of the shots you’re looking for but to reference or have those same exact circumstances to recreate can sometimes be tough. The photographer is going to pose you a bit and move you to different locations. What i’ll do typically is run through all my tried and true poses that work. We only get one shot at getting your wedding photos and I do experiment and innovate but before I do that I make sure to get the memorable photos that you’ll hang on your wall. I only have a short amount of time and it would be selfish of me to ask more of the bride and groom while they’re trying to enjoy their wedding day. The same way a DJ wouldn’t keep asking for suggestions for playlists on your wedding day or a venue wouldn’t be consulting with the bride about sides during before the meal is served on the big day.

Thanks for reading. I've been a wedding photographer for around ten years now and every year means a little more experience and a lot more equipment to play with. I would love to meet with you if you're getting married in 2017 or 2018. 508-471-0069 or www.unitymike.com to see more of my work. Have a great new year.

Mike Hendrickson 9/12/16 Mike Hendrickson 9/12/16

Jillian & Jarrod

Jillian & Jarrod at Revere Beach. Engagement shoot. www.unitymike.com wedding photo

Spent a little time on Revere beach and afterwards we got some Italian subs at New Deal Fruit.

Mike Hendrickson 9/12/16 Mike Hendrickson 9/12/16

Jenna & Paul

Jenna & Paul's engagement shoot. www.unitymike.com wedding photo.

Jenna & Paul live in Sturbridge which happens to have lots of exciting places to shoot an engagement shoot in addition to being located somewhat close to B.T's Smokehouse.

Here's some of our shoot at their house, the town common and Old Sturbridge Village.

Mike Hendrickson 6/2/16 Mike Hendrickson 6/2/16

A thousand images!

What's an apprioate amount of wedding photos to receive? I talk about the upside and downside of what the client receives when the wedding is over. All wedding photographers and future brides and grooms should read this.

So this just popped into my head, this idea of a thousand images or more for wedding photos. This is something I support, I've always support this from day one. I am writing this for brides, grooms and fellow photographers.

There will always be criticism about the amount of wedding photos you share with clients or on the other end of the spectrum receive from a photographer because more often than not you wouldn't mind a few dozen or hundred more to look at or a bunch more to share.

So originally I would give upwards of fifteen hundred images because I felt like I was holding images captive. If I had fifteen hundred images but only gave them five hundred, why? I prided myself in giving this extra value to my brides, grooms, clients, friends and family. Everyone was very happy after all at all the extra photos.

So the images that are completely cut from a wedding that are not used are the following, peoples backs, unflattering faces (not to be confused with a funny face or two which the bridal couple will enjoy), bad micro-expression, unflattering light, blurry photo, obscene, unflattering photo of bridal couple, duplicates of same pose unless there was a significant change in facial expression or posture possibly, bad hand placement during group photos. This is only a small multitude of examples of reasons.

The remainder of the photos are variations of moments, different angles, views and composition. These are the usable photos, the ones that can be saved, shared and looked back on. Some of the photos are a series of an event happening and not just the pinnacle of the moment.

So i'm going to start with the downside of sharing this amount of photos. We as wedding photographers typically take more photos than we need. We do this because we don't know who's going to blink or if someone will suddenly have a horrible twitch in their face or move their hand to look like a t-rex's arm. Lots of photos, lots of options, lower risk of fucking up, better chance of getting something damn near close to magical. With all these photos you have to go through and perform triage, saying yes or no to which photos live and which ones die; a very important responsibility. More photos to look through can mean longer wait times for clients and also longer processing time for photographers.

Now when you give someone fifteen hundred photos that means they have lots of options, maybe too many options. The first dance photos maybe two dozen instead of a select six. When you have two dozen photos verses six that means that the most outstanding, perfect photo will take a bit longer to catch your eye or stand out. It also creates the perception that you quickly edited the photos and are giving them everything without selecting the bad ones to get rid of. You are also putting your photos up against your friends photos or other bride's photos where they have gotten the top fifteen percent of the wedding photos that were taken that day.

Let's use a box of donuts as comparison. I'm going to present you with a dozen donuts, some are chocolate frosted, a few chocolate frosted with sprinkles and maybe a chocolate glazed as well as the jelly, a french (You actually only capitalize french if it is a product of said country) cruller, and an additional complement of donuts. Now lets take that nice looking dozen and put it up against six good looking donuts, jelly, chocolate frosted, french cruller, blueberry, glazed, old fashioned. So you have a perfect assortment but maybe not a bunch of variations on donuts.

So here's the upside of sharing as many photos as is reasonable. The most important reason first, you don't know who is important to the bride or groom. We don't know if they've seen their uncle or aunt in the past twenty years. We don't know if they don't get along with their parents and have reconciled for the sake of family and wedding. We don't know if their parents are divorced and this si the first time they've been in a room together in ten years. Their parents may live on the other side of the country, their sister may be in the army and home for the first time in two years.

So when you make the choice to not include a photo of Uncle John giving a hug or crying at the wedding then you forsaking a once in a lifetime moment. You are the judge, jury and executioner when it comes to the selection of photos given. Why not lessen the risk of incorporating beautiful moments that you might not realize are happening right in front of your lens.

I once had a wedding where I was going through the routine of getting all the moments, all the guests and performing top notch wedding photography. I spent around a month editing the photos and ordering the flash drive and finally presenting the photos. I found out that the bride's aunt had died shortly after from cancer and she was only in maybe three or four photos. She asked if I had more. Apparently the aunt had raised her since she was a preteen, she had meant more to get than her own mother in some sense. I had no idea and this killed me that I couldn't do more for this bride. I'm only sharing this because I want to really impress upon you that we don't know who is special to the bride or groom and we have no idea the great history in everyone's relationships. The wedding guests are chosen very carefully and they're there to witness a huge landmark in a person's life.

So when you give variation, option, choices you are allowing them to choose the best version of themselves in photos. You are giving permission for them to remember moments that they will most likely have missed on their wedding day. It's a little bit extra work to edit a few extra hundred photos, but you get better and faster at it. Is it all worth it, sharing this many photos? Damn right it's worth it and I don't regret it for one second. Those extra photos usually mean that everyone who attended that wedding can find a flattering, fun and amazing photo of themselves or someone they love. This means they share, they brag and hopefully they say who took their photo.

I always argue about this with fellow photographers, I think I always will. I started giving out these extra photos as an added value to my product but through the years i've learned that this added value isn't quantity, it's beautiful moments that I didn't know were happening.

Mike Hendrickson 4/6/16 Mike Hendrickson 4/6/16

How to be a successful photographer.

Want to be a successful photographer? The key to success is pretty simple, this is the speech I give everyone who asks me how to make money as a photographer or how to become a professional photographer.

So I just spent the past hour writing this blog out and decided that It dragged on too long. It didn't have a point or it touched on too many. I'm going to make this clear, simple and short. I have given this speech to multiple people who ask me how to get into photography. I get asked quite regularly to take people on as an assistant or to bring them to a wedding i'm shooting or show them how to make money with photography. This is what I tell them.

If I was a painter, a mason or made money doing carpentry I would pour all of my efforts into it. I would have the best brushes, watch videos on painting, try out different canvases, learn to make my own canvases. I would make sure everyone knew I was a painter, I might even have my own studio space just to paint. I have all the coolest painters clothes, aprons, gloves, hats to keep my hair out of my face. I have a cool logo that lets people know i'm a painter with my name in it and website. I would also write about my paintings, enter them into shows. I would make sure I was on all social medias and I would pay someone to scan or get copies of my paintings online to share with everyone. I would make shirts and broadcast what I do. Everyone would want to come to me to have a painting done because they know i'm a painter because that's all I talk about. You could find all the books on my shelf have a common theme, painting. My instagram would feature my own paintings and a link to my website which has my work and also ways to purchase my paintings. I also would love to go to Meetup.com gatherings to meet other painters. My good friend is also a painter from Boston and we talk a few days a week on the phone and he does some things similar to me and some different things from me but we both love painting regardless. We regularly talk about how to price our work and what people will pay for it and what's fair and how to treat people who don't pay. I would also be doing some work for charity with my paintings, maybe a themed project to help support a group, cause or person. When I do charity work, that gets shared on social media and talked about and every once and awhile my name will get thrown out to a commissioned painting or a series that someone will auction on. I love to go see famous painters speak as well and I always check in to whatever place i'm at to brag about my painting related activities.

If you truly love what you do and want more of it then show the world. Focus all of your efforts on it, leap without looking, live without the money and success and know that it's coming and it will. I'm where I am right now because i've made sacrifices with my time, money and relationships. I have had multiple people over the years tell me that it won't work and that you can't make money being a photographer. When I hear this all I can think of is how sweet it will be when i'm sleeping in or in a foreign city while they are scheduled to be sitting in a cubicle in front of a computer for the foreseeable future.

I love what I do and wouldn't change a thing. I wouldn't have the friends I have, the life I have without buying that first camera, without shooting that first wedding, I regularly take all of my profits and roll them back to equipment costs and take work off and go on a "vacation" where i'm just taking photos so I have interesting stuff to share on social media. I also give up time with friends and family to spend with strangers taking their photos.

In the end i'm doing something important, i'm capturing memories that someone will have forever.

Mike Hendrickson 12/8/14 Mike Hendrickson 12/8/14

BirchTree Bread Company

BirchTree Bread Company is a one month old bakery in Worcester that seems to be crushing it. Delicious breads and a fresh take on a bakery / place to grab a coffee with a friend. Don't even bother reading this and go and check it out yourself.

This past Saturday myself and my girlfriend decided to make our way to this new bakery in Worcester. Located on Green Street in Worcester right across from SmokeStack BBQ is an old Worcester factory building with many hidden gems, BirchTree Bread Company to be specific.

We entered the building and immediately started exploring. We ended up browsing in a curiosity shop downstairs called Crompton Collective which deserves it's own fan fare, it's amazing. It's collection of local's curated antiques and home made goods make wandering a delight. After pressing onward we made our way through a farmers market which is located in the basement and also know as The White Room. The farmers market had lots of fresh produce and familiar faces. Next we made our way back through Crompton Collective, up the stairs to BirchTree Bread Company.

As you are walking down the hall to the entrance to BirchTree you can feel and hear every intentional footstep as can everyone else. This building is ancient and repurposed, bright and clean; other local businesses occupy most spaces in this spacious location. We enter BirchTree and are delighted to see this modern meets rustic look for a brand new brand. We stand in line for a few minutes and end up running into various friends who are also here to check out this new hotspot.

We slowly pass the cases with cheese and other goodies, I make note of future cheese purchases. The menu is a few feet into my stay in the line. The menu is written out in white chalk on a green chalk board. So the main thing to understand is they have a limited menu, that's not a bad thing. With a limited menu that means they can concentrate on the things they do well, an awesome soup of the day, a sandwich special, breads, cookies and coffee drinks as well as rolls and loafs. This also means that you have the chance to try everything on this menu before it is added to.

I ordered all the cookies, cranberry white chocolate, turbinado sugar, peperes adeladies. Don't ask me specifically what all that means, what you need to know is it's delicious. I ordered a hot chocolate and two variations of toast, the seeded rye with a cranberry orange cream cheese and a coriander raisin with peanut butter and banana and toasted wheat germ. The portions were generous and the price affordable. Before heading out for seating I spot a large country jug filled with ice water, I turn the spout and quickly fill a mason jar up with what may be filtered or delicious Worcester water into it. We sit at the bar at the end of the copper counter while we waited for our brunch, the line doubles at this point; when will the madness stop.

Looking around the room you can see lots of room for future tables, furniture and innovations. A coffee table is surrounded by four large benches in the center of the room, tables line the window as other various seating is placed accordingly. One of the owners is hustling around the kitchen doing odds and ends while this new well oiled machines dances through orders. I sit and spend my time while I wait taking photos of the food. My name is called and our food is brought right over to us, I spend at least another ten minutes taking photos. After I put away my camera gear and dig into the food I am instantly satisfied. The food here is fresh, delicious and worth any small wait that you may encounter.

I highly suggest you visit this local bakery and push into the frame of a Worcester landmark.

Go and add them on Facebook and see what they're up to. BirchTree Bread Company.

Mike Hendrickson 8/22/14 Mike Hendrickson 8/22/14

My public service announcements.

So I made myself some promo material and yes it contains bad spelling, sometimes grammar and punctuation flaps. But here it is in all it's glory, my public service announcements.

Bad spelling, grammar included. Enjoy.

Mike Hendrickson 8/1/14 Mike Hendrickson 8/1/14

Europe - Barcelona for the day.

A full day in Barcelona with everyone's favorite wedding photographer Mike Hendrickson.

Spent most of the day shooting street photography and the sites. I'm exhausted but want to make sure I get this post and photos out before I leave tomorrow morning for Paris.

So i'm preemptively starting this blog to tell about my day.

So far i've woken up and decided yes, I want to leave the hostel and walk around.

My bunk mates are from France, China and Omaha Nebraska and we had fun conversations before bed, for some it was their first time in Europe.

So today it's a bit cloudy which is nice because it gets hot here and quick. I'm thinking about trying the bus system or just doing a lot of walking today. I don't know if i'll get to go swimming, I think I would rather a more relaxed beach scene than they have to offer. I hope that was the correct than,then?

I started the day by walking next door to the hostel to rent a bicycle for the entire day. After the lengthy contract process to borrow a $100 dollar bicycle I ventured off. I set up a mount for my iPhone so I could make a time lapse video, it worked and then failed. The mount for the iPhone felt a little too loose and then upon tightening it I was able to, with my super human strength pull the mount off. I checked directions on my Iphone so that I could head to the beach, I want to get some shots of all the people there. After a few hours and getting very close I gave up. I'll look up the directions tonight, it's very easy to get turned around on some of the side streets.

The traffic in this city is composed of bicycles, human traffic, scooters, car and truck and motorcycle. Everyone follows the walk, don't walk signs and all traffic. The city is consistently swept and cleaned and cleared of dead leaves and trash from what I could tell daily.

So I took a shower when I got back to my hostel today and then headed out with the Sigma 150-500. My aim for today was to get some really stunning photos of the people of Barcelona and some of the sights. I couldn't be happier with what I got. This lens is amazing for street photography. So with street photography it's best not to be seen I believe so that you can maintain those moments of spontaneity between people. I set up all my shots, crossed streets, hid, pretended to be shooting past people and at other things. When I had the subject completely unaware that's when I would strike. I cannot wait to show everyone my photos from today. I plan on doing this style of shooting even more when I hit Paris in a day or so. I do need to find a lighter, smaller bag to travel with while on bike or foot.

Now i'm back at the hostel and i've decided to call it a night. Just some snacks from the vending machine and maybe a soda before bed. Last night I was the first person in the room to come home and go to bed which meant I was the first to get woken up and the first to wake up in the morning. I have to return the bicycle I rented by 10am tomorrow morning. Going to try and take the Canon EOS M and a bike ride around the city when I wake up. I'm all ready packed up for the most part, can't open all my stuff around everyone at the hostel and pack properly. While i'm writing this there is a table of hot German girls talking and drinking.

So now I am going to finish working on my photos and present them at the bottom of the page. That part will be added in post though, for now you will have to just read.

Mike Hendrickson 7/31/14 Mike Hendrickson 7/31/14

Part One - Prep - The four part wedding photographer.

The four part wedding. Don't look at it as a whole, break it into pieces and work on those pieces one at a time. Here's my first part of the blog, prep.

So shooting a wedding sounds like a lot of work, partly because it is. I break my clients wedding day down into four different sections which help me concentrate on the moments and not the entirety of the day at all times. Included in this breakdown are some awesome tips which will help your clients fall in love with you.

First part: Prep

This is where everyone is getting ready, getting prepped for the day. The brides maids are first on the docket, getting hair and make-up done. Mimosas and bagels are usually plenty if not sandwiches and cheese platters. The details are still in the air, who's swinging by this place and picking up that or who has the keys to the hotel room and lots of fun hectic stuff.

I like to use this time to hang out and get to know the bridesmaids better, after all we'll be spending the day together. I typically set up my laptop in a corner or somewhere out of the way (I'll talk about this more soon). I bring in my camera equipment and take a walk around the location. I usually give everyone a heads up that I'll be taking photos. Typically everyone will say to me that they don't have make up on and to wait, I usually shoot them down by telling them about how good the before and after is going to be. The ladies usually look just fine, in the case that they don't it's usually because they've had a wild night.

I like to ask how everyone knows the bride and typically parents are there too and will sometimes have fun and embarrassing stories to keep the mood light and fun. I always accept food offered and you should too. Imagine if you made some awesome sandwiches or cookies and offered it to someone and they looked at it and then back at you and said no. I know we're not always in the mode for certain foods but this is a nice little gesture that they are giving you so run with it. So if there are kids in the wedding which commonly they are then I suggest giving them a little bit of attention. I usually let them use my small mirror less camera for a little bit or hold my big camera if they are sitting down. Once I let them play with my camera they are usually more apt to give me those smiles later in the day.

So I'm shooting candids of the the ladies getting ready and chatting. I'm taking photos of the kids that are running around or the mother who's making phone calls to make sure everyone is on their way or other details. Once I have enough photos I go back to my laptop. I download my current photos and pick through them for a few minutes. Now I get to show the bride and bridesmaids and family some previews. I'm showing them how awesome they look and once that happens everyone starts to relax a bit more because they now have the understanding that I kick ass with a camera.

So all this controlled chaos is happening and there are only so many photos you can take of everyone before it starts to feel invasive. This is a great opportunity to get those wonderful detail shots. The dress is usually near by as well as shoes, flowers and the rings sometimes.

I'll take the shoes and dress somewhere more pleasing to the eye, a tree or more groomed room of the house or location. The rings I take macro shots of and the trick to never losing them is using my pinky finger, I'm not always the prettiest ring model but I've never lost any rings in my care. The flowers I typically place in a tree or on a stone wall or sometimes just a nice table in the backyard. The shoes I will sometimes pair with the dress and can be hung anywhere.

So the bridesmaids should be wrapping up with hair and make-up. The bride is always final when it comes to that stuff, we want her makeup and hair to be nice, fresh and ready for the big moment. So I usually get photos of the hair process which is done first and then make-up. I like close-up photos of lipstick being applied and eye liner being dressed on as well as photos of her hair. The hair dresser usually likes having these photos too as well as the make-up artist. Now is the moment of truth, you need photos of the guys!!!

So I've saved the guys section for last and theres a very good reason for it, it only takes them a few minutes to get ready. I usually save them for last or get to them first. I don't do the whole relaxed thing of sitting around and waiting for them. The guys aren't into the entire photo process sometimes so it's much easier to stage them. I'll have the guys get dressed and then they can always take off the clothes afterwards if time allows.

So here's a list of shots that I like to cover. I sit the groom down and have him get his shoes on, this of course is after he has his pants on. I have the groomsmen help each other with ties, bow ties, shirts and jackets. These allow for some tender moments between everyone. I'll also do some of them joking around and then maybe some photos of them on their front steps if it's at their houses or some photos with mom and dad. This all happens very quick because it's all staged. My main focus is on the bride because it's her big day and her moms big day as well because she's been waiting for this for a long time. This is fairy tale time and we're part of it.

So thats the first part of the photos, make sure to get photos of all the chaos too. Next part is the ceremony and i'll have that posted soon.

Mike Hendrickson 7/31/14 Mike Hendrickson 7/31/14

The unseen unheard photographer

Are you that photographer who only uses natural light, shoots on P and won't talk to his bride and groom or interact with them at the wedding. You are paid to be awesome, you spend the day with the bride and groom and you're tasked with giving them an awesome experience.

This message is for you photographers who are going to say "I don't do it that way".

These photographers are also the same people who say I only shoot natural light. That's the equivalent of saying "oh.. I only drive automatic cars" or "I only put the camera on auto because of how good it is and I want to just focus on the moment". The photographer you hire is going to rock in soo many ways and one of them is being able to shoot manual and also use lights (that's a blog for a different day). This is for those who decide to not give the bride and groom that full experience. This particular blog is about you and your ability to direct and fix things so that they are in the bride and groom's favor. If you are one of these photographers who doesn't interact then you are lazy. Some of you photographers are awesome and can justify this shooting style, but the majority of you are not that.

So some of the photographers out there are saying in their head "I only shoot candid and I don't move anything and I'm not going to pose you and I only do journalistic style and try not to interact with the bridal party at all". You are dumb. So now that I've insulted you let's continue from there. This is a one shot deal, one go at the photos, one photo to rule them all. Do you want to be boring and take the same old shots or to look at each wedding as a marathon of photos that push you past where you were. Sure, take photos of where everything is if you want, don't touch anything or don't pose people, don't say anything to that person who has their tie crooked or the tag hanging out of the armpit of a dress. But then take those damn photos, be a person and interact with everyone. I assure you that ten, twenty years down the line they will appreciate some really tasteful images from their wedding. No one wants a photo of a pair of shoes in a box or their wedding dress hanging up in your brothers old room because that's where they had the space or the flowers in the fridge.

I shoot candids and that doesn't mean I can't add a little bit of pizaz to that photo "hey can you do that again but this time look that way". Okay so you're still not won over maybe, you're still thinking they hired me to just shoot the one way I do and I should just be quiet and take the easy photos. Are you the one shooting the weddings all the time or them? The bride and groom want amazing photos and they really aren't going to be upset if you adjust a few things to make sure that happens.

If you hire a wedding photographer they should be able to rock your wedding, you should know they're there at some points. I'm not talking about being four feet away during the ceremony, that's a different animal altogether. You want them to be the one getting everyone in line for formals or telling your Uncle Jerry that he needs to get out of the way. Your professional photographer is going to point out the flask of whiskey in the groomsmen's pocket. Your wedding photographer is also your personal cheerleader and that random guy who can and most likely will run an errand for you or do something above and beyond just because they are awesome.

I know some of you out there are saying but I'm out of the way and I do awesome. That may be so but eventually you will have that bride that calls you out and says "why didn't you tell me I had makeup on my teeth" or "Tim's zipper was down the whole time". So interact and earn that sweet wedding paycheck that we make. There's a reason why we do so good at a wedding, it's because it's a lot of work and not hiding in the shadows.

A good wedding photographer will be remembered for his images and his great personality during the wedding, everyone's going to tell the bride and groom how much they loved their experience with you too.

Mike Hendrickson 6/25/14 Mike Hendrickson 6/25/14

LB Wheaton, Sigma 150-500

So if you're thinking about buying a lens or want to check out some cool equipment then head down to LB Wheaton. I stopped in and had no idea that I would be walking out with a super telephoto lens. Being able to hold it in my hands and experience it was enough to put me over the edge. Great experience at LB Wheaton.

So i've been eyeing the Sigma 150-500 lens for quite some time. I always talk myself out of buying it. I have to wait a few days and buyers remorse and not being able to test it prior to buying it, easy to talk myself out of it.

Two weeks ago I wandered into LB Wheaton just killing some time before a wedding meeting (I landed it.) I saw the gigantic lens sitting on the shelf and asked if I could check it out. I was quickly handed this heavy lens and a Canon T5i. I paired them together and set it to manual and f/10 at 1/30th of a second and shot a few shots out the window. I wanted to see what this lens was made out of. 2 out of 3 photos were crispy and clear and the stabilization held true. I changed the settings to something a bit more relaxed and shot thru the windows a bit more at local shops and urban landscapes to see how invasive I could be with this new zoom. The answer is, very invasive; this lens is friggin awesome! I found out from the gentlemen behind the counter that this lens had an instant rebate, I didn't need much more twisting of my arm. I told LB Wheaton that I was heading to a meeting and if I did good at the meeting I would be back to purchase the lens. One hour later I came back and pulled out my money and now I can't put this very heavy lens down.

If not for LB Wheaton, I don't think I would have such a cool toy. Two weeks prior I stopped in and also bought a small collapsable tripod. This is such a great place to try out equipment and ask questions. You can also buy backdrop paper rolls here as well as lenses, bags, lighting and anything in-between. Very happy to have such a great store a few miles away.

Here's a few photos that I've taken over the past week or two. I also have some wedding photos that I shot with this lens which came out amazing. Being able to zoom in instead of cropping in post would be so amazing.

Make sure to LIKE LB Wheaton Camera Shop Facebook page.

Mike Hendrickson 4/13/14 Mike Hendrickson 4/13/14

How to own that Maid of Honor speech.

The Maid of Honor has a very important role, to pour out all the nice things they could ever say in a 3-4 minute speech as well as tease the bride a bit. This is a companion blog to my Best Man Speech blog that i've posted previously. I hope you read and enjoy this. These are just a few pointers from the dozen or so weddings that I attend a year.

So I previously wrote about the Best Mans speech. The advice from that still stands.

Please read what I wrote in that blog.

So a few different points of advice for the ladies

1. Pull on those heart strings. Okay, you are posed to make us teary eyed. You're most likely going to tear up and get the bride to tear up. You happen to feel emotions sometimes a bit more deeply then our Call of duty, beer drinking, what are feelings type of guys that we can be. So with that being said we know you're going to say something very heartfelt and deep. My advice here is to keep it at the beginning of the speech or at the end, for god sakes I don't want to cry during your entire speech because of how sweet you are on each other. :)

2. Keep it funny. You're going to be pulling on those heart strings so make us laugh to, nothing is better than that akward laugh/tearing up. Tell us what you really thought about the groom and his friends. Tell us about when you knew he was the right one, did you do the cliche "you better not break my friends heart" speech to him?

3. Remind everyone. Remind everyone why we're all here, these two people, this beautiful wedding, how much fun you've had today. The bride knows everything that went wrong today, misorders, mistakes and small mishaps that took part throughout the day. Remind her that this is one kick ass day.

4. Take advantage. You have the floor, ask that single guy out that you've been checking out all day. (This goes for the guys too, ask her out. Mention all the pretty ladies that are in the room). You have the floor and everyones attention, be bold. Take advantage of the day and the fact that you're all at one big giant party and meet that special someone.

5. Always end up with a hug. Theres no better way then to end a heartfelt speech then with a hug. This doesn't really need to apply to the guys. The best mans speech is literally a verbal hug from the best man to the groom. This is also an awesome time to snap a great couple photos for the photographer.

I hope that this has made you smile, laugh and I hope to see you at a wedding soon.

Mike Hendrickson 4/10/14 Mike Hendrickson 4/10/14

Government Center closing for 2 years

Government center is closed now (March 22nd, 2014), this is a final trip for me before the reopening in 2 years. Visited this MBTA location a day before it's closing with Michael Stepien, Stacy Bouley, Tom Haran. We had a run in with a MBTA employee who was not versed in the MBTA photography policy, I helped him out a bit using their own website.

You'll be able to see all the construction rearing to take place, little by little over the past few weeks and months they've been getting ready. Can't wait to see the finished product.

So on March 21st I believe we visited Government Center to get some final photos. My friends Michael Stepien, Stacey Hellzaboppin, Tommy Haran came with me on this trip. We shot all around the city and one of our final stops being here. We found ceiling tiles missing, spray paint marking the walls and floors where construction was to take place.

While we were taking photos we had a MBTA worker stop us and ask us for our photo permit and why we were taking photos and what it was for. We informed him that it's a public space and that we are allowed to take photos. The MBTA worker said "not since 9/11 you can't take photos". The MBTA worker then asked for our permit again and said that he could get someone down here to help verify our information. We were also told that we were in restricted areas (we had one foot on the yellow tred area), keep in mind that around 8 people had their foot on the yellow safety tred at this time. While he got more forceful and louder and started arguing with my friends I calmly looked up the MBTA photography policy via the MBTA Website. I then proceeded to aim the phone towards him and read aloud their own policy, after that he left,

We moved to a different area and documented a bit more. Win for photography.